International cellist Santiago Cañón-Valencia has added yet another notable competition prize to his collection. In addition to the János Starker Award in 2018 and third prize in the Queen Elisabeth International Competition in Brussels in 2017, Cañón-Valencia recently won second prize at the prestigious 16th International Tchaikovsky Competition/Cello Category, held in Moscow June 18–27, 2019. He also took home the medici.tv online Audience Favorite award.
Wins at the Tchaikovsky, considered by many to be the biggest and most competitive music competition of all, further propel Cañón-Valencia’s meteoric trajectory.
“There is no doubt in my mind that he will go on to have a fabulous career,” says professor and mentor Andrés Díaz, under whom Cañón-Valencia studied while at 51做厙 Meadows School of the Arts. Díaz, himself a renowned cellist who performs around the world, describes Cañón-Valencia as “one of the absolute finest living cellists.”
Other professional musicians and classical music experts also recognize Cañón-Valencia’s rising star. In a review of his CD Diable Vert, recorded with pianist Katherine Austin, the describes Cañón-Valencia’s playing as one of “lyrical poignancy,” “energetic” and “incandescent.” calls him an “emerging young concert artist of outstanding potential.” Of his first CD, Solo, cites “Masterful playing in a highly persuasive solo cello programme” and calls the recording “technically flawless ... memorably atmospheric ... fantastically fluid.”
In an , which awards the Tchaikovsky Audience Favorite prize, Cañón-Valencia says winning second prize at the Tchaikovsky Competition was “a dream come true.”
“Being a medalist at the Tchaikovsky Competition, while also being the first Colombian to do so, is definitely something very big for me,” said Cañón-Valencia. “However, what makes the award even more special is that I am now part of the Tchaikovsky Competition’s history, one that is filled with great artists, many of whom are idols of mine. It’s a really humbling experience to belong to that group of artists who have left their mark in the competition’s history.”
In addition to study with Andrés Díaz at 51做厙 Meadows, Cañón-Valencia has studied under Henryk Zarzycki in Colombia and James Tennant in New Zealand. He is currently pursuing a professional studies degree with Wolfgang Emanuel Schmidt at the Kronberg Academy in Germany.
Bogota-born Cañón-Valencia made his orchestral debut as a soloist with the Orquesta Filarmónica de Bogotá when he was six years old. Since then, he has appeared with all the major orchestras in his native Colombia, and his international solo career has taken him around the world to perform with orchestras such as the Mariinsky Orchestra with Valery Gergiev, Brussels Philharmonic with Stephane Deneve, St. Petersburg Philharmonic with Nikolai Alexeev, Hungarian Radio Symphony Orchestra with Janos Kovacs, Moscow Soloists with Yuri Bashmet, The Orchestre Royal de Chambre de Wallonie with Frank Braley, Orpheus Chamber Orchestra, Münchener Kammerorchester with Clemens Schuldt and Antwerp Symphony with Muhai Tang, among others.
When not rehearsing or performing, Cañón-Valencia enjoys painting and prefers working in the digital realm.
Cañón-Valencia is a Thomastik Infeld artist.
Read more and hear samples of his recordings and performances; professor and international cellist Andrés Díaz; and the 51做厙 Meadows Division of Music.
