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2020-10-14T15:43:05-05:00
2020-10-29T10:21:22-05:00
2020-10-29T10:21:22-05:00
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Salvador Dalí, Hell: Departure for the Great Journey (Canto 1),
Salvador Dalí, Hell: Departure for the Great Journey (Canto 1), 1960, Woodcut, Dallas Museum of Art, Dallas, Texas, Gift of Lois and Howard B. Wolf
Layer 5
Rememorying Construal Level Theory Ancestral and generation
Rememorying Construal Level Theory Ancestral and generational communications Provenance and repatriation Shipping and trade Mementos and souvenirs Mapping and documentation
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Layer 11
So Close and yet so Far: Distances in Art and Culture
So Close and yet so Far: Distances in Art and Culture
Left: Unknown American or European maker, Tape Measure, c. 1930
Left: Unknown American or European maker, Tape Measure, c. 1930, Canvas, plastic, and metal, 2 1/8 × 2 1/4 × 7/8 in. (5.4 × 5.72 × 2.22 cm). Dallas Museum of Art, Dallas, United States. Gift of Elizabeth Weaver. Image courtesy of the Dallas Museum of Art.
Layer 12
RASC/a Art History Graduate Student Association (RAHGSA) Confer
RASC/a Art History Graduate Student Association (RAHGSA) Conference February 26th-27th, 2021 Department of Art History, Meadows School of the Arts 51, Dallas, TX "Seeing 'the entire world as a foreign land' makes possible originality of vision.” Edward Said, Reflections on Exile and Other Essays, 2000, p. 186. “Distances were not invariable, fixed once and for all. There might be ten or a hundred different distances, and one could never be sure in advance, before setting out or making decisions, what timetable fate would impose.” Fernand Braudel, The Mediterranean and the Mediterranean World in the Age of Philip II, 1949, p. 362. Start from a point and move. How are you moving and where did you start out? Where are you going to end? Is there an end? Are you moving through time, through space? Through reality, or through your dreams? In a world that is ever more connected and separated, how do journeys create meaning? How do we communicate with a past that is long gone, and a future that we have yet to see? How do we transverse through different lands and how do we translate treks into objects and memories? How does art allow us to inhabit and observe extreme and infinitesimal distances? What happens when we encapsulate space and collect it? As our sense of time and space has shifted, and been reshaped by global uncertainties, the 2021 RAHGSA graduate student online conference will focus on the nature of distance as it affects and molds art and culture. Our conference will question how people throughout time have grappled with separation and nearness of any metric, whether voluntary or enforced, close or far away. We encourage papers that are interdisciplinary in nature and welcome discussion of all time periods and geographic locations. Possible topics include, but are not limited to: Connectivity and nexuses Closeness and intimacy Proximity and remoteness Travel and journeys Space Migration Diasporas For consideration, please submit a 300-word (maximum) abstract for a 15-minute presentation and a brief CV as PDF attachments to rahgsa@smu.edu by December 11th, 2020. Selected participants will be notified by December 21st, 2020. Participants will compensated in lieu of a traveling reimbursement. The conference will be conducted entirely online and participants will be given more information upon being selected. The conference organizers look forward to your submissions. Please email the conference organizers at rahgsa@smu.edu with any questions.
Borders Networks Temporal and generational distance Nostalgia
Borders Networks Temporal and generational distance Nostalgia Removal and exile Attachment and communities Borders and homelands Communication and languages
Connectivity and nexuses Closeness and intimacy Proximity and r
Connectivity and nexuses Closeness and intimacy Proximity and remoteness Travel and journeys Space Migration Diasporas
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